Monday, July 30, 2012

Injury Time Out

My very first discipline was track and field. I started running in sixth grade and never really ever looked back. High jumping paid for my college education and enabled me to travel all over the county and some of the world. I qualified for a few national teams and was fortunate enough to make it to the U.S. Olympic Trials twice, which was pretty cool. My honey is a track coach, so even though I'm not training like I was back in the day on the track, it is still very much a part of my life.

Like most former Olympic hopefuls, I anxiously awaited the start of the games in London. Unfortunately, I was watching the opening ceremonies with my left foot elevated and wrapped in an ice pack. Seems a little "light" sparring gone awry a few weeks back followed closely by Super Summer Seminars (a weekend of karate that translated to 16 hours of training in two days) left me lame - sidelined with a slight tear in my Achilles tendon. My ortho says I should avoid training for at least a month in order for it to heal/not completely tear or become a chronic injury. If three weeks of physical therapy, icing and wearing sneakers with lifts everywhere (goodbye summer sandals, sniffle, sniffle) don't help, he's going to make me wear - gulp - a boot like that one up there. So not the fashion statement I was going for...

It's tough for a person who has always been active to HAVE TO sit down for a while. The last time I was off the mat for longer than a week was in 2007 after my reconstructive surgery. For six weeks, I wasn't allowed to walk, bike, run or even bend over very much. It was absolute hell - one I got through with lots of karate instructional videos, movies and books. This time my forced respite is only about half as long, but I have a feeling it will be a little tougher to get through, simply because a very real deadline looms in the distance: The Diamond Valley Classic tournament in late October. It is scheduled two weeks earlier this year than last and I've still got some real work to do - including a kata to tighten and polish and sparring to drill. The three months between now and then translate to two for me - and I'm most unhappy about that.

But I'm glad I listened to my body and went to see a doctor as soon as the pain and swelling started. I usually try my best to ignore that little voice in my head telling me to cool my jets and take it easy because something doesn't feel right, but this felt different, so I trusted my gut. I will be the compliant patient by icing like I'm supposed to and following the therapist's instructions. I have to - because that boot is hideous and goes with absolutely nothing in my closet.

Off to ice before bed :-)


Friday, July 13, 2012

What If?

Imagine a martial world with no belts - where there was no outward display of the last weigh station you'd encountered on your path. Suppose there was just a piece of rope holding your gi top closed. Would it alter how you do what you do in the dojo? Would it change how you act and react to your trainng partners/dojo mates? Could it change how they act and react to you?

Being the forgetful soul that I am, I've gotten to class only to realize I'd left my belt on my bed, in my car or in the gear bag I left at the office too many times to count. The third or so class after I tested for shodan had me beltless in the dojo because I'd left it elsewhere a day or two before. Did it change my technique at all or make me any less a karateka somehow? Other than the self-conscious feeling being obi-less gave me, I'd have to say not even a teeny bit.

Some schools and styles have the entire ROY G BIV rainbow connection happening where kyu-equivilant obis go. Others give stripes on existing belts to mark progress. Not knocking either, but, other than the economics behind the need to purchase a new belt (and sometimes a new gi with new color accents) for that new rank, what difference does it make?

Rank means differnt things to different people - and it means different things here in the land of McDojos than it does elsewhere, I'm sure. Charles James discussed it in a recent post on his "Okinawan Fighting Art: Isshin Ryu" blog; perhaps what he says is right: "What is in your heart is of more value than what color of cloth is around your waist." So strap that top closed (or wear a t-shirt or heck, even no shirt) and get to training already.

Wednesday, July 11, 2012

Fatal Femme or Femme Fatale?: A Woman in the Martial Arts

For those of you who've grown tired of my babbling, I've officially dubbed July as "Guest Post" month :-) A few martial artists will be sharing their thoughts and opinions here so there won't be the blog equivilant of radio "dead air" while I collect my thoughts for a bit.

First up is a piece by Annette Singer, a martial artist who met and began training with Shifu Christopher Goedecke - the head of The Winds School of Karate - back in the early 80's when she enrolled in his college self-defense course. Although it was written over 30 years ago, her essay mostly reads like it was written much more recently. Maybe some perceptions are just simple truths that transcend time, who knows?


A Woman in the Martial Arts
By Annette Singer


I should have realized that first day, when I erringly crossed my gi top right over left, that I had entered a man’s world. After all, men button their shirts on the left side, and evidently close their gis in the same manner. I hastily fixed my top and, before I knew it, found myself standing at the end of a long white belt line — one of the handful of women in a room steaming with the musky odor from the swarm of male bodies that dominated it. The impact was staggering for, having sought out Karate in hopes of discovering a new strength, I instead found myself completely overwhelmed by a world in which I felt the female had no place. The masters, as well as the students, were almost exclusively male, and the values, priorities, and goals they espoused seemed completely masculine in orientation. It was not long before I realized that as a woman, I was coming into the dojo with a completely different framework of reference.

Although I spent my early childhood wrestling with three brothers, playing “Cowboys and Indians,” then later advancing to “Cops and Robbers,” I was accustomed to assuming the submissive role. Any girl who wanted to romp with the boys was doomed to play an Indian, a robber, or whoever the conquered party of the day was designated to be. Fate for the tomboy such as me usually involved being trussed to a fence in the backyard, sentenced to burning at the stake, and abandoned there until mother noticed my absence at the dinner table. As I grew older, the high incidence of sexual crimes against women only served to reinforce the ingrained concept of a female as powerless to protect herself against the advances of a male. Perhaps it was a desire to be able to protect my own autonomy, a fear of victimization or of having my personal space infringed upon that attracted me to Karate in the first place. Paradoxically though, one day of workout rendered me even more intimidated by male prowess than had previously been the case.

Initially, I consoled myself by saying that it was my own lack of comparative strength that rendered me feeling so totally inept. After all, white belt men could execute ten knuckle pushups for every one of my feeble attempts. When they punched, their gis flipped crisply, while my limp, rolled-up sleeves sagged lifelessly. It was only a matter of time, however, before I realized that the major setback was not my physical limitations, but my own deep-rooted inhibitions.

It has been stated that half of knowing what you truly desire is acknowledging what you must sacrifice before you can obtain it. I had only been studying Karate a few days when I ascertained that in order to become accomplished at the art I would have to modify some of my own ideas of what being “feminine” involved, and redefine “womanhood” for myself. The first battle was learning to kiai.

One learns at an early age that yelling is unladylike, that nice girls don’t sweat, and that punching is only for men. Nevertheless, daintiness gets one nowhere in the dojo, so by the end of one week I was suddenly enticed by the prospect of spontaneously giving everything I had. I reached back for the part of me that as a child had screamed war cries, clamored up trees, and kicked the bully who squished my pet caterpillar, and found, to my surprise and delight, that the wild little heathen was still there. Over time, the search also unearthed a level of intensity and an ability to discipline this energy that I never had dreamed existed within me. Having been given a taste of this passion fruit, I found it not unlike an aphrodisiac that sparked an all-consuming love affair between me and Karate. Now when the air was pierced by a myriad of voices kiaing, mine was unmistakably among them. When workout concluded and my belt was saturated with perspiration, my hair plastered to my scalp, I no longer feared that these conditions posed a threat to my mystique as a “femme fatale.” Rather, I noticed an interesting phenomenon. Within a short while I found myself with some of the closest male friends I had had since my tomboy days. Oddly, enough, with society’s mores about physical contact set aside, there was nothing barring the way of a good solid male/female friendship. This is not to suggest that once my own attitudes about myself changed, the whole world changed with me. I still faced struggle after struggle with misconceptions and stereotypes, not only outside the dojo, but inside as well.

It was a wintery Saturday afternoon. Home for the holidays, I was practicing kata in our musty basement. Kiaing, by now, was a natural form of expression for me, and actually, this particular day, the dust in the air prohibited any blood-curdling howls. Therefore, I was not ready for the impact this would have upon my father. The cellar was cold, so I finished a brief workout and, arriving at the top of the staircase, was just in time to hear a hushed voice demand of my mother “What has happened to my little girl?” He might as well have cried, “They have created a monster!” A female friend of mine faced a similar reaction from her boyfriend. While he had previously enjoyed roughhousing with her, he refused to once she began to study Karate. I have personally observed that many men relish the idea of being able to overcome a woman physically, and that any threat to this ability is strongly resented. Nor is this type of attitude only found outside the enlightened walls of the Karate school.

One of my earliest encounters with dojo discrimination was when I was a yellow belt. I had been instructed to spar as a learning experience with a tall, husky black belt who greatly resembled a muscular teddy bear. Expecting a real challenge, if not instant death, I really attacked with vigor, only to find that he would barely even block my techniques. I was no powerhouse, but I distinctly remember that at least one roundhouse kick to the solar plexus evoked a gasp of shock from my reticent opponent. He never once retaliated, however, and when he later complimented me on my ability, I demanded in frustration why he refused to fight back. Sheepishly, he informed me that he had always had a great fear of hitting a woman. Even more aggravating than this attitude is that of the pseudo-gentleman who refuses to spar with a female at all. How can a woman hope to learn to defend herself against a larger, more powerful opponent if even her fellow students refuse to help her? Nevertheless, I have discovered over time that if a woman is aggressive enough when sparring with the reluctant male, he will eventually feel threatened and retaliate, if for no other reason than because he feels that he is expected to be superior in the match. It is ironic that the very social conditioning that causes a man to avoid striking a woman also goads him to fight his hardest once he has decided to engage himself in kumite with her.

My present instructor is incredibly well-attuned to the difficulties a woman encounters in such a male-oriented environment, and perhaps his philosophy of teaching is the most conducive to growth. He treats every student as a separate entity and, thus, in his class there are not 25 men and three women, but rather, 28 individuals, each with their own personal strengths and weaknesses to discover and contend with. This attitude generates an atmosphere in which students exhibit a mutual respect that is not dependent upon belt level, age, or gender, but instead reflects an intrinsic appreciation of the uniqueness of every human being.

I do not in any way mean to imply that men and women are identical physically, emotionally, or spiritually. Differences in upper body strength, hip structure, and hand size account for just a few of the physical advantages and setbacks a woman faces when she studies Karate. In addition, I believe that women approach life in a manner that is highly intuitive and sometimes even mystical. Because she is so sensitive to the fine arts and beauty, Karate can take on an added dimension for her. In contrast to having to seek the aesthetic outside herself, a woman can suddenly create the fluidity, unity, depth, and spontaneity so characteristic of art through the intricate movements of kata. The beauty then becomes an extension of one’s own body, culminating in an exhilarating experience unequaled by any other.

When viewing the rising trend of women studying the martial arts, it is necessary to recall that all human beings are two fold entities—both physical and spiritual in nature. Karate is an art form that guides the two to work in harmony, a goal to be sought by men and women alike. The true battle is that within oneself — an arduous and frequently painful task. Karate can be a means of attaining that end, and while a woman must resign herself to the fact that her belt will inevitably insist on slipping back up to her waist, the greatest endowments of the martial arts—enlightenment and self-knowledge will not be denied her if she truly strives to achieve them.