



The imperfect journey of a 40-something female USA Goju karateka forging a path and barking my shins on the proverbial furniture while studying "the way." Hear me roar...




I really love my school - and not just for the physical aspects of karate we learn how to do. Last night's class, for example, was all about the mental.
A very good friend and training partner told me once that because he was a bit of a bully growing up, his mom wouldn't let him study martial arts as a child. Now 40, he's forging his path by preparing to test for his 6th kyu in USA Goju, training also in Jujitsu and Muay Thai and hitting the mat or gym six days out of each week. He also thinks martial arts would have helped him a lot when he was younger, not turned him into a thug.
Since the blogsphere today is full of stuff about sparring - including posts by Samurai Girl, Ariel at Martial Arts Passion and Mr. James at Okinawan Fighting Arts, I figured I might as well toss my two cents into the mix as well...
Although I love working/improving kata and kihon, I really love to spar. Not that I particularly like the idea of getting hit, but the matching of wits/game of tag that is jiyu kumite in the dojo or in the competition ring is kinda fun. Let me re-phrase that: HITTING and KICKING are fun - and I can usually do that fairly well. It's my evading and countering that always, always, always need a little work.
Tuesday night, Sensei J, a yondan who is an amazing tactician and who is as quick as he is powerful, led class. He challenged us to think (and move and fight) outside of our comfort zones. For me, that meant fighting more like the lightweight I am - staying on my toes for the whole fight to make moving in and out as well as changing my angles of attack possible - instead of bouncing a little before planting my feet, remaining on my adversary's centerline and fighting more like a heavyweight with long limbs when the "battle" gets going. It was harder than I thought it was going to be - mainly because the thinking that is NOT supposed to happen had to creep back in. It was the only way I could remember to stay on my toes, be mobile and let the techniques flow.
But flow, I didn't. I'd land two techniques then.just.stop - and promptly get pummeled by Sensei Joe or Sensei S - who took turns sparring us all. Suffice to say I may have gotten a few good licks in, but the reality is that when all was said and done, I had my butt handed to me over and over again.
Biggest problem? My evasions were too big. In an effort to avoid the technique my senseis threw, I moved too far out of range to counter, which meant I had to re-acquire them continuously. They had no such issues, I noticed because their evasions were much more subtle - a shoulder lean here, a hip shift there - which made their counters to the techniques I tried to hit them with much more effective. And they were doing a little more than tapping, unfortunately. Ouch...
Sensei Joe compared it to games of tag he played as a kid. "You didn't really need to run away when the person who was 'it' came charging," he said. "Sometimes it was a lot more fun to let them get really close then shift to the left so their tag brushed right past you." Then he demonstrated while first I tried then training partner, Peg, tried to simply touch his gi, shoulder or face when he was about a foot in front of us. Not only did we miss every time, he tapped us with something on his way past us - like a backfist or shuto to the head or a reverse punch or a little hook kick to the gut. It felt like we fell into his technique - or better yet: like he set us up to hit him only so we could get hit instead. In other words, not only did his techniques flow from one right into the next without pause, the "fight" wasn't over until he had the last attack - which he landed at will. He even turned away as if to run once and the next thing I felt was his foot - via a well-timed ushiro geri (back kick) in my gut. Ouch - again!
As un-ladylike as it sounds, hitting stuff is a one of the things I absolutely love about karate, but the other is the fact that there is always more to learn. What I learned from playing tag with Sensei Joe is that while bobbing and weaving are nice, throwing a technique on the way "out"/getting the last tag in is even nicer - and much more efficient. He reminded us about one of our former training partners who got so good with this that she earned the nickname "Mosquito" because she was there, attacked you, then was gone before you could even raise your hand to slap her away.
"Be the mosquito," Sensei Joe said.
Indeed...
Like many artist on the martial path, there are loads of things that I don't know about. Sport Jujitsu is definitely one of those things, so I went to a seminar Sunday hosted by former Sport Jujitsu World Heavy Weight champion Linda Ramzy Ranson of the Women's Empowerment Self Defense Academy in the Bronx to find out about what it is and how to judge during tournaments.
According to the International Sport Jujitsu Association, Sport Jujitsu:
...consists of five major elements; Ukemi waza (break falling technique), Nage waza (throwing technique), Katame waza (grappling technique), Atemi waza (striking technique) and Katsu waza (revival technique). Therefore a competition that consists of only strikes without grappling is not true sport jujitsu because it is missing a very important element of jujitsu (grappling) which makes it more like a point karate tournament. Also a tournament which consists of only grappling and no striking cannot legitimately be called sport jujitsu because it too is missing a very important element of jujitsu. Without strikes it is only a grappling tournament or often called submission wrestling. A true sport jujitsu tournament represents the art’s totality and consists of all the physical elements.- sort of like MMA without the ground and pound or knee/elbow strikes. Points are awarded as follows: 1 point for a hand or foot strike to the body 2 points for a controlled kick to the head 2 points for a half throw (where one foot leaves the mat) 3 points for a full throw (both feet leave the mat) 2 points for maintaining a controlled mount for three seconds 4 points for a referee intervention submission (under-belt divisions only) Automatic win by tap out submission (black belt divisions only) Strikes to the nose, eyes, groin, spine or against a joint are not allowed. Neither are finger locks, head butts or leg kicks. The competitions begin much like karate kumite where opponents start standing up and facing each other. The difference is that grappling is as much a part of the game as front kicks and reverse punches are. All the action eventually ends up on the ground. 30 seconds of grappling time is allowed once competitors get there. In the two 2-minute rounds of the competition, if the competitors don't make progress (for example, guards are stalled and no submissions seem eminent), the center judge orders them to their feet. The fight, however is constantly live. In other words, there is no reset that allows everyone time to adjust their gis and gear or get back to the center of the ring. They stand where they are and must be on guard for punches, kicks and sweeps even while returning to an upright position. Competitors are allowed a coach and get 30-second rest between each round. This explains it better than I can:
Whenever a person who is brand-spanking new to martial arts comes into the dojo and we start with the basic hand and foot positions, I am the first one to encourage them to scream - loud, often and like a banshee - because their lives could someday depend on it. Especially with children, I let them know that an evil-doer trying to get them to go "away" by force wants them to remain as quiet as possible. Never let them stun you into silence because using your voice is a way of fighting back.
For the record I've only ever had one physical confrontation in my life (in second grade and a girl named Terry Daniels got upset with me for some reason or another; she puled my hair so hard it made me cry, so I yanked hers back, made her cry and that was the end of it). That was all before this morning.